A STUDY OF BABA MIMO BY BODE OMOJOLA AS AN EXEMPLAR FOR NIGERIAN ART MUSIC COMPOSITION

Abstract

This paper examines Baba Mimo, a choral composition by Professor Bode Omojola, as a pivotal example of Nigerian Art Music. It provides an analytical overview of the piece’s melodic, harmonic, and rhythmic configurations, showcasing Omojola's innovative techniques, including quasi-bitonality and African pianism. By situating Nigerian art music as a genre that bridges African traditions with Western classical structures, the study argues that these works retain their Africanness despite external influences. It highlights the pressing need for proactive documentation of living composers to safeguard Nigeria's rich musical legacy. By dissecting Omojola's composition, this paper contributes to the understanding of NAM and inspires future musicologists to explore similar endeavours.